Das FLUX-DRIVE™ ist das Overdrive-Pedal für diejenigen, die mehr von all den besten Dingen von einem Overdrive wollen! Es hat mehr flüssigen Gain und ein verbessertes Sustain, das leicht in reiche harmonische Obertöne einfließt und es unglaublich süchtig macht und zum Spielen inspiriert, egal ob in einen sauberen Amp-Kanal oder speziell zur Verbesserung eines Crunch- oder eines höheren Gain-Kanals. Außerdem bietet er ein vollständigeres klangformendes Netzwerk mit individuellen Höhen- und Bassreglern. Diese Architektur macht den FLUX-DRIVE zu einem vollständigeren Vorverstärker mit mehr Vielseitigkeit, die über die der meisten Overdrive-Pedale hinausgeht.

Mesa Flux Drive Awards


  • Entworfen und handgefertigt in Petaluma, Kalifornien, USA
  • True Bypass On/Off Schalter - kein Tonverlust im Aus-Zustand
  • Gain Control allows you to dial in the perfect amount of vocal-overdrive, dynamic to sustaining
  • Master Level Control erlaubt einen Boost von bis zu +20dB
  • Bass- und Höhenregler bieten jeweils +/- 12dB EQ-Boost oder -Cut für präzise Klangformung.
  • An/Aus  Status-LED
  • Stromversorgung mit 9V Batterie oder externer Quelle/Netzteil via Standardbuchse
  • Input & Output Buchsen (Nominal Input -20dB)


  • Abmessungen: (B/T/H): 2.87" x 4.77" x 2.28" (73mm x 122mm x 58mm)
  • Gewicht: 0.802 lbs. (364g) mit Batteie, 0.702 lbs. (319g) ohne Batterie
  • True Bypass - Schaltung
  • Batterietyp: 9Volt Block (eine)
  • Stromverbrauch bei 9 Volt: 15mA
  • External Power Supply (Not Included): WARNING!!! To avoid immediate damage and voiding the warranty, the External Power Supply MUST be 9VDC with a NEGATIVE CENTER plug polarity and a jack plug size of 2.1mm x 5.5mm.
  • Eingangsimpedanz: 1 Megaohm (500k minimal)
  • Ausgangsimpedanz: 10 kOhm


Flux-Drive – Blues Rock

Flux-Drive – Classic Rock

Flux-Drive – Punk

Flux-Drive – Solo Gain


  • "The Flux-Drive picks up where the Grid Slammer leaves off—emphasizing focused mids, but with considerably more gain on tap. It also trades the Grid Slammer’s single tone control for a pair of cut/boost bass and treble controls. In many ways, the Flux-Drive’s controls react more like an amplifier’s: Lower reaches of the gain control have a much clearer treble response, and turning up the control rolls off the highs while warming up the midrange and slightly softening the lows. Setting the gain between 8:30 and 10 o’clock highlights the snappier qualities of a Stratocaster’s bridge pickup, while taking the control up to 2 o’clock adds a warm, thick layer of gain on top of plump midrange and darker tonalities reminiscent of Ritchie Blackmore’s leads. The Flux-Drive excels with low- and high-output humbuckers. Both a Les Paul Standard with ’57 Classics and a Les Paul Custom with hot Tom Anderson humbuckers pushed the upper midrange to the forefront, with Flux-Drive’s gain control lending lots of aggression without sacrificing detail. Taking the gain past 3 o’clock won’t add much more to hard-rock rhythms—you can lose a lot of definition in the highs and mids—but it will avail you of syrupy gain for smooth, sustaining licks. That said, there’s plenty of gain on tap before you hit that mark, and using the pedal’s extremely sensitive bass and treble controls more aggressively gives you access to the harder rock tones of early Guns N’ Roses, Mötley Crüe, and Skid Row. The key is to tailor the pedal’s gain and EQ controls to your guitar’s output level and give the tone room to breathe.”

    Jordan Wagner
    Premier Guitar
  • "The Flux-Drive is more of a high-gain preamp than it is either a stand-alone distortion or overdrive box. Its well-tuned level, gain, bass and treble circuits give the user immense control over the tone and gain structure, making it easily the most versatile of Mesa’s pedal lineup. There’s a lot to be said for the Flux-Drive’s ability to blend with your amp’s character. In front of a clean channel, it produces a beautiful crunch tone, indistinguishable from a real tube-driven second channel. Let this pedal drive your already crunchy tone and it’s capable of transporting you, à la the notable Mesa Mark IV, into an incredibly touch-sensitive world of detailed high-gain tone. Sustain becomes almost endless, and full-up settings on all controls yield the organic sound of tubes pushed to the limit.”

    Eric Kirkland
    Guitar World